Die-Hard

DIE HARD — Full Script Analysis

Monday, April 2, 2012

FACT: ONE OF THE BEST WAYS TO LEARN SCREENWRITING IS TO ANALYZE SCRIPTS.

Not casually reading lots and lots of scripts. I’m talking about doing a DEEP analysis of a script. Picking it apart layer by layer and really scrutinizing each piece. Then reassembling it and trying to make it better.

This... 

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Books

10 Must Read Books for Screenwriters

Monday, March 26, 2012

MOST SCREENWRITING BOOKS ARE CRAP.

And that crap comes in two flavors:

Bland, vague rehashes of the (often incorrect) conventional wisdom about screenwriting. “Read more scripts. Get to know your characters.... 

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Ocean's 11

How to Double Your Writing Productivity (Part 2)

Wednesday, March 7, 2012

WHAT’S THE PLAN?

As any good heist movie already knows, it’s all about the plan. You can’t just thug your way to success. Especially when the deck is stack against you.

You have to be smart. You need a plan. And because we all know that the plan is going to fall apart,... 

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Oscarsfeatured

And the award goes to…

Monday, February 27, 2012

ONE THING I LOVE ABOUT THE GOLDEN GLOBES…

They make a distinction between Best Drama and Best Comedy.

Comedies tend to get the short end of the stick during award season. And genre films typically have to satisfy themselves with more technical awards since people don’t usually... 

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Mr. and Mrs. Smithfeatured

What writers can learn from start-ups

Monday, January 16, 2012

HOLLYWOOD AND SILICON VALLEY RARELY MINGLE

Which is a pity because I think Hollywood could learn a lot from Silicon Valley’s entrepreneurial mindset and way of defining and tackling problems. Writers in particular.

Look at start-ups…

They come up with a novel idea — or at least a novel twist... 

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Featured

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Ask the Coach: How can you build a plot around your characters?

Today’s “Ask the Coach” questions come from Patricia:

“A lot of the educational material available to screenwriters today assumes that most writers start with plot, and then flesh out their characters. For a lot of us, this isn’t the case. I often start with my characters, and structure my story from there. I think this method leads to a richer story–but the structuring... Read More

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Coaching

How to take a writing retreat

Vacation-featured

I’VE WRITTEN SIX FEATURE-LENGTH SCREENPLAYS. Five of those I wrote a page or two at a time while going to work or school. (Or playing disc golf, as was the case with one script.) Slow and steady wins the race. MY FAVORITE WRITING EXPERIENCE, HOWEVER, IS THE EXCEPTION… When I first moved to LA, I [...]

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Training

How to save weeks (or months) of rewriting on your screenplay

Slumdog-Millionaire2

HOW WOULD YOU LIKE TO SHAVE WEEKS OFF THE TIME IT TAKES TO WRITE YOUR SCRIPT? What if I said you could even save months of work? And you could make your screenplay better while writing it faster? Too good to be true? Nope. The fact is most aspiring writers waste TONS of time on [...]

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Spitballing

Spitballing SUPER 8

Super 8 featured

SUPER 8 is a wonderful reminder that comic books aren’t the only source for great stories, even great summer movies. As many reviewers have said, I’m not sure the two parts of this movie completely fit together… There’s the touching human story about a sensitive boy (and his alienated father) who must come to grips [...]

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Announcements

DIE HARD — Full Script Analysis

Die-Hard

FACT: ONE OF THE BEST WAYS TO LEARN SCREENWRITING IS TO ANALYZE SCRIPTS. Not casually reading lots and lots of scripts. I’m talking about doing a DEEP analysis of a script. Picking it apart layer by layer and really scrutinizing each piece. Then reassembling it and trying to make it better. This isn’t quick. This [...]